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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, a key member of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the pair scored a global success with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a classic of electronic music.

He later founded the pioneering electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away calmly in his sleep at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I managed to injure myself significantly," he commented in 2023. "I broke spinal bones in my spine and fractured about multiple ribs and broke my wrist."

After contracting a lung infection and developing blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" during the summer, as he worked on a new album with Almond, called the upcoming Danceteria, which is scheduled for release in the coming year.

"He was concentrated and so happy with the latest project that we actually finished only a short time ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive time for him, and I take some solace from the knowledge that he heard the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense aspect of my existence and for the music you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is distinct from joining a group, the connection is incredibly close," he added.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half old.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both studying art. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and quickly produced an EP.

Creative Collaboration

The pair were an distinctive pairing: Ball was the quiet musician, hunched over his synthesizer, while Almond was a charismatic showman, all sparkle and makeup; but they achieved a unique creative synergy.

Ball had cultivated a fascination with synthesizers after viewing Kraftwerk appear on a television science show Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was writing.

Their signature song became the UK's second biggest-selling single of the early 80s, shifting millions of units worldwide. Alongside hits by Gary Numan, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 1980s.

The track was also included on their full-length debut, their initial LP, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's death

Professional Journey

Success had its benefits. "I loved being able to afford my initial property, having money and travelling, which makes me sound like a beauty queen," Ball recently told with a music magazine.

But it also caused problems. "Newfound wealth allowed we could afford substances to relieve the boredom" of press appearances and TV performances, Ball said.

"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

During the party-filled existence, the pair were also growing distant, but they succeeded to create a second memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond went on to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the Top 40 album Cruelty Without Beauty.

After another hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, 2018.

Yet, they remained together, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately described the duo's new album as a tribute to the NYC nightlife they frequented while recording their initial records.

He noted that his period in medical care had influenced the group's music.

"I had strange recollections when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"The new songs are a electronic representation of the noises in my mind from that time.
"Simultaneously, it's about the times we had in the 80s."

The last versions were completed only days before Ball died. It is scheduled for release in the spring of 2026.

About the author

Victor Rosario

A seasoned journalist with over a decade of experience covering international affairs and digital trends, based in London.

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